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Posts Tagged ‘Colin Firth’

Colin Firth, Matthew Macfadyen and Jim Sturgess set for Promised Land

Friday, February 12th, 2010

Posted by: Brad Sturdivant

A while ago we told you that Jim Sturgess was the first to sign on to Michael Winterbottom’s PROMISED LAND.  Today comes word that he’ll be joined by the underrated Colin Firth and the up and coming Matthew Macfadyen.

The film, as you recall, tells the story of British-ruled Palestine and the massive conflicts that came up in the area after World War II.  I mentioned before that this was a risky film, but they seem to be assembling a talented cast that should make things easier on Michael Winterbottom.

Colin Firth Matthew McFadyen Jim Sturgess

Source: The Hollywood Reporter

A Single Man

Friday, January 29th, 2010

Critics often are bothered by some of the over-production that engulfs the substance in summer blockbuster films.  I can sometimes agree with that sentiment and believe that standard should be applied to the independent art house films as well.  Sometimes the smaller films can over emphasize their artistic vision that the substance gets lost.  Such is my complaint with A SINGLE MAN.

Colin Firth and Julianne Moore in A Single Man

In the 1960’s, George (Colin Firth) has lost his lover, Jim (Matthew Goode), of 16 years in a car accident.  It has been 8 months since his death and George is lonely and depressed.  Waking up brings pain.  He is very meticulous in all that he does from his apartment and clothes to his plan at suicide.  As we follow him during this presumably last day, he is interrupted by a few human interactions.  Specifically his best friend Charley (Julianne Moore), who is an older beauty trying to make meaning of her life as well and Kenny (Nicholus Hoult) who is a student that seems to have not only a crush but a kindred spirit with George.

Colin Firth in A Single Man

Everything about this film looks really good.  And why shouldn’t it?  It is being first time directed by Tom Ford, a costume designer.  The costuming and art direction is very precise and meticulous just like the lead character.  However, it seems to be done in such an excessive fashion that it becomes intrusive, which makes for a very boring story.  This film could possibly be cut down another 20 minutes if the director would just lose all the close up shots of the eyes and the mouth.  The pacing of this film is at times blood curdling slow.  The film does serve better with a methodic look at everything, but I believe the film goes over board.  Ford appears to believe his art direction, costuming and cinematography are more important than the character, so much so that the film wanders away from our lead and his story to show off how pretty we are making this picture look.

Julianne Moore in A Single Man

What is going for this film other than it looking beautiful is the acting.  In particular the great Colin Firth, who is able to covey so much internal pain while pretending as if nothing is going wrong at all.  Firth kept me captivated at times when the story clearly wasn’t.  The supporting cast did a fine job as well.  Julianne Moore brings some much needed energy to the film while Nicholus Hoult and Matthew Goode characters deliver the right amount of tenderness that George needed.

Colin Firth and Matthew Goode in A Single Man

There is an interesting story and message here with some extremely wonderful moments, but there needed to be more in that story to achieve the message and less on the look of that story.  I think Ford is definitely talented but A SINGLE MAN appeared to be a little full of itself.

Helena Bonham Carter and Guy Pearce will join Colin Firth in King’s Speech

Monday, November 16th, 2009

Posted by: Kristy Sturdivant

Director Tom Hooper has quite the cast lined up for THE KING’S SPEECH including: Helena Bonham Carter, Guy Pearce, Colin Firth and Geoffrey Rush.  The script is written by David Seidler and has already started shooting in England.  The film follows King George VI and his speech therapist Lionel Logue and their relationship as they correct a speech problem and help the King become a leader.  Iain Canning and Emile Sherman of See-Saw Films and Gareth Unwin of Bedlam Production are to produce.

Helena Speech

Source: The Hollywood Reporter

Christmas Carol, A

Thursday, November 12th, 2009

A CHRISTMAS CAROL shares the familiar story that we have all grown to love. Ebenezer Scrooge is a grouchy, angry old man who has worked very hard and sacrificed much for his money, mostly friendship and happiness. He thinks people and their kindness are fools. He is particularly more upset during Christmas when people show the most cheer. Scrooge is haunted by the ghost of his dead business partner, Marley, who tells him that three ghosts, representing his past, present and future, will visit him. Scrooge learns of himself in all three of theses stages of life and he must have a change of heart on how he lives and treats others or it will end soon for him, unkindly.

A Christmas Carol 1

We all know Charles Dickens classic story and have seen dozens of variations on it. The variation here is the visuals but the story seemed to somehow get worse. Maybe I’m jaded because I’ve heard it too many times but I didn’t feel like it had any new take on the subject matter. The pacing crept along like a snail. I kept looking at the clock wondering when things were gonna get a move on. It took forever to get Scrooge home to be haunted by the ghosts. To put it frank, I was bored out of my mind!

A Christmas Carol 2

Like Tom Hanks in Polar Express, Jim Carrey plays most of the characters. He does a great job playing Scrooge, and the Ghosts of Christmas Past, Present and Yet to
Come. However, with these weird visual characters that Zemeckis does, Carrey’s face was distracting. Carrey might act different but I keep seeing his face in an odd altercation. Gary Oldman takes care of the other main characters quite well as, Cratchet, Tiny Tim and Scrooges old boss, the Ghost of Jacob Marley. He is a little more difficult to identify but like explained in our Driver’s EDitorial they all still look creepy.

A Christmas Carol 3

There is no doubt that Robert Zemeckis is a talented man. This picture is visually dazzling. The cinematography is beautiful. The angles he chooses to shoot and the way he decides to move through the scene are nothing short of brilliant. He has come close to perfecting the 3D vision. This is a movie that is definitely meant to be seen in 3D. However therein lies the problem, because without that gimmick there is nothing new here worth watching. The visuals are not enough to carry the film, even in 3D. A CHRISTMAS CAROL sits in a weird no man’s land zone with its appeal. It’s visually stunning but as animation or motion capture, is no more kid friendly than the countless live action renditions that have been done before and better. In fact, this version is definitely more boring and may be slightly scarier with the weird human visuals. One scene in particular is of a small boy staring out a window with these lifeless eyes singing a Christmas song in a slow eerily quiet fashion. It was meant to be sad but I almost cried of fear. Kids will not know what they’re getting into. My opinion of checking out A CHRISTMAS CAROL… Bah Humbug.