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Green Zone

Friday, March 12th, 2010

The third teaming of star Matt Damon and director Paul Greengrass has been dubbed “Bourne 4” by more than one person based off the previews and early synopsis.  Although the film isn’t that similar to the Bourne movies, this is a film that’s very familiar to American audiences.  Unfortunately for Damon and Greengrass, nothing about this film set it apart from the dozen or so war movies we’ve seen in recent memory where the evil corporate/government types screw over the honorable soldiers/grunts.

Matt Damon in Paul Greengrass's Green Zone

Matt Damon is Roy Miller, a Chief Warrant Officer with the United States Army that’s the leader of the search team for weapons of mass destruction (WMD).  After receiving intelligence about the location of WMD’s and then finding they’re not there, Miller becomes frustrated with the intelligence and makes his voice heard.  This grabs the attention of Martin Brown (Brendan Gleeson), a CIA operative that’s being ignored.  Somehow, Miller ends up working for Brown and Miller gets sent out on a one-man show to find the WMD’s himself and eventually to find the source of the intelligence.

Matt Damon and Amy Ryan in Paul Greengrass's Green Zone

In the first fifteen minutes or so of the film, Miller is part of an infantry unit that he’s responsible for.  But he inexplicably ends up a rogue soldier doing what he wants, when he wants to.  But no one seems to care that there’s a soldier running around on his own.  And it’s not like Miller is a high ranking officer or in a position that would afford him this luxury.  But it doesn’t really matter because the world in which Greengrass has created is one in which every American in power is an amoral liar and can’t be trusted.  Miller is the lone soldier, just trying to do what’s right, despite his inability to follow orders.  This isn’t a real example of the Iraq war; this is a world that allows Greengrass to tell his story and deliver his message and that served to undermine the film.

Matt Damon in Paul Greengrass's Green Zone

There is zero character development in this film.  We barely learn Miller’s name and we have no idea who he is or why he cares so much.  There’s an Iraqi sidekick (Freddy) that lost a leg, but we don’t know how or why.  Matt Damon is great as usual, but not much was required of him other than to look determined for two hours.  So with zero interest in the characters, all the pressure is on the story, which is basically Miller’s hunt for WMD’s, or the hunt for the source of the intelligence.  If you followed the news from 2002 through 2005, you know that there are no WMD’s in Iraq and that there probably haven’t been for almost 20 years.  So we know how the story ends and the journey Greengrass takes us on felt like a waste of time.

Matt Damon and Greg Kinnear in Paul Greengrass's Green Zone

Paul Greengrass received a lot of praise for his direction of the BOURNE SUPREMACY.  Critics loved the frantic pace and quick editing because it was something new in an action movie.  But after repeating it in BOURNE ULTIMATUM and completely overdoing it here in GREEN ZONE, he deserves to be chastised for ruining his own technique.  It’s not fun or cool anymore and it doesn’t move the story along or get the audience more involved.  He went overboard with the editing this time to the point that the audience lost interest in his story.  After directing this many movies, Greengrass should be getting better, not worse.

I wasn’t really expecting too much from this film and I didn’t really receive anything.  This film is about five years removed from being relevant and the “government is evil” schtick in war movies has been played out too many times.  There was not one single aspect of this film that was original or fresh.  It all felt recycled and with characters I didn’t care about and poor directing from Paul Greengrass, it proved to be a wasted effort from two talented individuals.

Billy Crudup, Greg Kinnear and Alan Arkin join The Convincer

Tuesday, February 2nd, 2010

Posted by: Brad Sturdivant

Billy Crudup, Greg Kinnear and Alan Arkin have signed on to the drama THE CONVINCER.  The film is about a struggling salesman that comes across a rare violin.  Jill Sprecher will direct the independent film from a script she wrote with Karen Sprecher.  Shooting starts next week.  It’s being dubbed a “crime drama”, but unless the salesman stole the violin, I’m not sure that’s an accurate description.

Billy Crudup and Greg Kinnear are two actors that I’ve always really liked, but I thought never lived up to their potential.  Much like his costar Kate Hudson, Crudup has never been able to match his performance in ALMOST FAMOUS .  A story about a rare violin probably isn’t going to help their cause any.

Billy Crudup

Source: The Hollywood Reporter

Miley Cyrus, Greg Kinnear and Kelly Preston in The Last Song Trailer

Wednesday, November 18th, 2009

Posted by: Brad Sturdivant

It seems like we just got the trailer for Nicholas Sparks’ DEAR JOHN, now we get a trailer for his THE LAST SONG.  Audiences seem to eat up his mushy love stories, but this one looks like it’s trying too hard.  In this one, a rebellious girl has to come to terms with her parents’ divorce when her mother forces her to live with her father for a summer.  The film stars Miley Cyrus, Greg Kinnear and Kelly Preston.

To be clear, I have nothing against Miley Cyrus.  I think her Disney show and subsequent movies are unwatchable, but that’s not really her fault, they’re just a product of their audience.  But Miley has a unique knack for coming off very whiny every time she speaks, so I’m not sure I’m going to be able to handle her for an entire film.

Watch the trailer here.

Last Song

As Good As It Gets

Tuesday, October 27th, 2009

Girl: How do you write women so well?
Melvin: I think of a man then take away reason and accountability

This is just one of many classic lines from AS GOOD AS IT GETS, which I plan on sprinkling throughout my review.

As Good As It Gets 2

Melvin (Jack Nicholson) is a writer and obsessive-compulsive. He hates everyone in the world and is completely self-absorbed. He has no filter when telling people what he thinks. One person who seems to be strong enough to handle him is Carol (Helen Hunt). She is a kind and caring single mom who lives with her mother. Her boy is sick and needs a ton of medical treatment that Carol has trouble paying for with her job as a waitress. Simon (Greg Kinnear) is Melvin’s neighbor who is a sweet but timid gay artist that is beaten and robbed. While he heals Melvin is reluctantly forced to care for Simon’s dog. His hatred for this dog turns into affection, which we see glimpses of coming out towards people. These three very different individuals form a… well, as good as it will likely get friendship.

As Good As It Gets 4

Melvin: You make me wanna be a better man.

The film is definitely an actor’s showcase. With a slew of Oscar nominations in 1998 for best picture, screenplay, editing, score, actor, actress and supporting actor, it took home trophies for the two leads. This was a huge catalyst for Helen Hunt as she was soon after over exposed in following years. She is great and definitely holds her own against Nicholson, which is no easy feat. This also propelled Greg Kinnear into more of a household name and has since done many great projects. Jack Nicholson as always is the real star here. The writing is an actors dreams and Nicholson couldn’t be more perfectly cast here. He is able to give you a compliment while he slaps you in the face with an insult, and still be funny and charming. I don’t believe there are too many people who could pull off this character with as much charisma, smugness and vulnerability as Mr. Nicholson.

As Good As It Gets

Carol: Come on in and try not to ruin everything by being you.

Although I love all the interaction and agree that the situation presented would be the only possible way the two leads could get together, I feel like the direction tried to sell that it could actually be more than a friendship. The two of them will never get married. Nicholson is far to old for me to buy into an attraction from Helen Hunt. I can understand she is lonely and poor and this is the first man to help in any sort of way but ultimately she will not choose to be with his hating crazy ways and he won’t want to be around her sick kid who takes any attention away from him. I think the movie walks that crack in the ground nicely but chooses the more positive outlook cutting the movie before we really see the end results. If we were to follow the couple the next day they would be fighting again but I guess that is what the title is trying to say. It won’t be getting any better than that. The characters in the movie definitely grow and benefit from knowing each other but it will not be anything more than a unique friendship. Melvin is surely destined to be unhappy but there is hope for him to at least have happy moments. AS GOOD AS IT GETS is bitingly hilarious and touching.