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Posts Tagged ‘Patricia Clarkson’

One You Might’ve Missed #16: Dogville

Thursday, February 4th, 2010

headermiss3

by: Brad Sturdivant

Finding diamonds in the rough is a wonderful feeling, but in order to do so, you usually have to watch a lot of bad movies. Flix66.com takes the pain away by recommending a movie that you may have never heard of, or missed when it first came out.

This is a tough movie to recommend for many reasons, most notably for how it’s filmed and the difficulty some audiences will have in getting used to it.  When you couple that with the fact it deals with some very adult issues, you’re left with a film that appeals to a small part of the population.  As it turns, I happened to have really enjoyed the film and found it to be a welcomed surprise.

Nicole Kidman in Lars Von Trier's Dogville

So I guess I should explain exactly what you’re in for.  Although DOGVILLE stars Nicole Kidman and Paul Bettany, it’s not what I would call a mainstream Hollywood film.  It’s actually more of a play and is filmed as such.  There are a lot of overhead shots and theater angles, with very few props and zero special effects.  The houses and the town they live in are identified simply by thin walls or even tape on the ground.  Like I said, this is not your typical Hollywood film.

Nicole Kidman in Lars Von Trier's Dogville

Assuming you haven’t already stopped reading, the plot of the film might turn you off.  Nicole Kidman plays Grace Margaret Mulligan; a traveler on the run from the mob, seeking a new beginning in a small Colorado town.  The town is mostly isolated and Grace finds it to be a nice change from what she is used to.  But when the mob comes looking for her, the town begins to take advantage of her and the price they charge to keep her secret is nothing short of disturbing.  It should be noted that there are strong, graphic scenes (no nudity) and those faint of heart shouldn’t even consider this.

Nicole Kidman in Lars Von Trier's Dogville

However, if you’re up to it, and can handle the long run time, you’re going to be in for a fantastic character study.  Director Lars Von Trier crafts a great story that shocks the audience without showing you too much.  We know what’s happening to Grace and we sympathize with her plight, but Von Trier doesn’t beat you over the head with it.  He was able to get away with some subtlety because of the astonishing performances from his actors.  To be honest, I’ve never really thought much of the ability of a lot of the actors in the film, but seeing them here was proof that they really do have talent.

Nicole Kidman in Lars Von Trier's Dogville

We as an audience get spoiled by some of the tricks involved with major Hollywood productions.  In many cases, it’s tough to even gauge an actor’s performance because of the overuse of makeup, fast edits and special effects.  But when you put an actor on a stage with no props, makeup, effects or anything else to aid their performance, you put the pressure on them to really deliver their lines and give a great performance.  We don’t see that very often in movies and typically, the only way to see that is to go to a theater performance.  But one of the best aspects of this film is the play-like setting and the chance to witness fine actors like Kidman, Bettany, Lauren Bacall, James Caan, Patricia Clarkson, Jeremy Davies and Philip Baker Hall immerse themselves into the performance and really deliver.

If you can get past the three challenges in the movie (play-like setting, subject matter, long run time), I think you’ll be impressed with the film.  Anyone who loves a good acting performance should appreciate what Von Trier has crafted here.  And trust me when I say that it has one of the most satisfying endings you’re likely to come across.

Patricia Clarkson, Danny Glover and John Cena Sign on for Brother’s Keeper

Tuesday, December 8th, 2009

Posted by: Kristy Sturdivant

Patrica Clarkson, Danny Glover, John Cena and Devon Graye will be starring together in the WWE drama BROTHER’S KEEPER.  The story centers around a teenager (Graye) who tries to reunite his mother (Clarkson) and brother (Cena) after the death of his father by joining his high school wrestling team.  BROTHER’S KEEPER will be directed by Mel Damski and is written by John Posey.  The film has started shooting this week and may get a new title before the release.

Awhile ago I thought John Cena was the next “action star” but he kind of fell off the radar.  I’m interested to see how he does in a drama but I hope he does some more action films.

Cena Clarkson 3

Source: The Hollywood Reporter

Whatever Works

Wednesday, November 11th, 2009

Why is it ok for Woody Allen to have the same character in all his films? People tend to describe the lead in his movies as the “Woody Allen character.” Why is that ok? Isn’t that old and shouldn’t that be considered a major flaw? His character usually breaks the fourth wall and is usually pretty neurotic. There is nothing funny or original about these characters anymore when coming from Mr. Allen. WHATEVER WORKS is more of the same.

Whatever Works 1

Boris Yellnikoff (Larry David) is the “Woody Allen character,” a bitter old man who believes he is smarter than the world and has a deeper understanding of the meaning or meaningless of life. He was almost nominated for a Nobel Prize and believes this is some sort of proof that he is better than everyone. He hesitantly allows a young naïve midwestern girl named Melodie (Evan Rachel Wood) to move in. She idolizes everything he says and they strike up an unlikely but predictable relationship. Her divorced overly religious parents played by Patricia Clarkson and Ed Begley Jr. come looking for her but discover their true selves along the way.

Whatever Works 2

I understand the irony of Boris missing out on the greatness of life because he’s too focused on the negative, but who wouldn’t be able to spot that. The major problem is that the film seems to respect this character, actually believing he is wiser than everyone and we should listen to all that he says, specifically with that gem of a statement, “whatever works.” I might be alone and I don’t want to go into it fully, but I disagree with this completely. It’s such a lazy sentiment. The only thing I can get on board with Boris is the way he hits and ridicules the children whom he teaches chess.

Whatever Works 3

At the end of the film, we get a nice neat tight bow over everything with everyone happy. Everyone is with each of his or her respected mate and it should all work out just fine. What is different about the relationships at the end of the movie than at the beginning? Nothing. I’m sure if we extended the movie and followed these new relationships they probably would fall apart just as easily and quickly. In fact, we could probably reverse the story and begin with the ending relationships, watch them fail, then end with the movie’s beginning relationships. That would at least be more interesting and less cliché. Wow, I may have just written a better story.

Whatever Works 4

I don’t believe WHATEVER WORKS gives anything fresh or original. These characters are too extreme, more like cartoon characters. Apparently anyone coming from the Midwest must be over religious and too dumb to think for themselves. More than likely, they are repressing homosexual urges or the need to sleep around and if that works, well then… whatever. Apparently that’s all that happens in New York anyway. This movie is insulting to everyone with half a brain. Without Woody Allen’s name being attached, this movie would not have received the star power or distribution. Don’t get me wrong; I love some of Woody Allen’s work. Annie Hall is brilliant, but that was done in 1977. Lets try a new shtick.