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He Said/She Said #14: Secondhand Lions

Monday, January 4th, 2010

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by: Nathan Swank and Rebeca Surber

He Said/She Said is a bi-weekly column where a male and female reviewer from the site team up to debate the merits of a particular film.

HE SAID

What is this movie?  I don’t get it.  Who is the target audience?  It’s far too boring to be a kid’s movie and far too stupid and sophomoric to be a movie for adults.  I think the big sell is Michael Cain, Robert Duvall and Haley Joel Osment, which among them have 13 Academy Award Nominations and 3 wins.  Haley Joel has only one of those (SIXTH SENSE), but is probably the most known.  However, he is absolutely horrible in this film and overacts terribly.  I think he was trying way too hard.  Every reaction was a dumbfound look or forced emotion.  Seriously, this is some of the worst acting I have ever seen.  It’s no wonder that he has not worked in the last seven years since this movie came out.  I actually think all his previous works were great so I don’t think he is a bad actor but his performance in SECONDHAND LIONS is undoubtedly bad.  Michael Cain doesn’t fair too much better, I can hear his British accent seep through his attempt at a Texan drawl every now and then.  Robert Duvall is the only one who seems to be working but that doesn’t matter because THIS STORY IS POINTLESS!

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An unfit mother drops her son off to live in the country with two kooky uncles.  She tells him to get close to them and find their gold.  The boy watches the uncles be slightly crazy (fly planes and shoot at salesman, who doesn’t want to do that) and listens to a story about their adventures in Africa as one of them finds true love.  The flashbacks are uninspiring, the characters lack intelligence or motivation and the production value is worse than a made for TV after school special.  I’m angry for watching this.

SHE SAID

How can anyone NOT like this movie? It is so cute! SECONDHAND LIONS is a movie that sucks me in anytime it is on TV or I feel the need to add it to my Netflix queue. Two allegedly wealthy brothers, Garth and Hub (Michael Cain and Robert Duvall respectively), spend their days shooting at traveling salesmen and fighting off advances of money hungry relatives find their world upside down when their great-nephew, Walter, (Haley Joel Osment) moves in. These two brothers are not used to a relative who isn’t money hungry like abandoned Walter who is looking for acceptance, love and a place to call home.

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At first using Walter to annoy the gold digging relatives we see two tough, weathered men find a soft spot in their hearts for him. At the suggestion of Walter, Garth and Hub deviate from shooting at the salesmen to testing the peddled goods.  They discover, at times, buying the wares is more fun than using the salesmen as shooting targets. When Walter’s mother (Kyra Sedgwick) returns for him and they leave, I get all sappy seeing the gruff men hold back their sadness.  This film ends in a fashion that usually gets on my nerves, everything wrapping up nicely with a big red bow: Were the stories Walter heard all his life from his eccentric uncles true? Did they get their money from robbing banks, mafia ties or steal from a sheik?

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Semi-bad acting aside, I think it is an adorable film with happy laughs. Plus, the money hungry relatives are a stitch to watch. When they visit Hub in the hospital and hear the news that “he’s no longer with us” is priceless.  This story is pointless only if you do not have a heart.

Four Christmases

Wednesday, November 25th, 2009

I wouldn’t exactly say that FOUR CHRISTMASES is a deep movie with any hidden messages that you can’t find in standard Christmas movies, but one message that does come across quite well is that families can ruin even the best relationships.  It doesn’t matter how normal or crazy your family is; once you introduce them into your personal relationship, it will never be the same.

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Such is the case with Brad (Vince Vaughn) and Kate (Reese Witherspoon), who are stuck visiting their families on Christmas when their flight gets canceled.  Both sets of parents are divorced, which leads to four obligations and four separate Christmases.  Neither of them are big on their own family nor do they have any interest in starting their own.  They’re happy with their lives and the freedom they’re afforded by not having any commitments or obligations.  But their lives take a change when they’re forced to confront their families and decide what they really want from each other.

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And that’s where the film takes a sharp 90 degree turn.  We were doing pretty well in the beginning and I was really getting into the jokes and the awkwardness that Christmas can sometimes create, but I was far less interested in the relationship drama between Brad and Kate.  About halfway through the third Christmas, we started focusing on the drama between them and less on the humorous situations. I knew they would have to address their relationship at some point, but I was hoping they’d do it with less drama.  The Christmas humor was really hitting home with me and I wanted them to continue it throughout the film.

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With that in mind, I laughed pretty hard in the beginning as Brad and Kate were forced to bond together against their families.  I’ve been in similar situations where there’s just nothing you can do to get away from the awkwardness and everything is magnified because it’s Christmas.  The film would have been so much better if they had taken that notion and ran with it.  Each Christmas was more opportunity to touch on another aspect of the holiday season that people dread every year.

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Unfortunately, that usually seems to be the downfall of most Christmas films; they start strong and then get sidetracked.  I will give FOUR CHRISTMASES credit for not trying to cram a deeper meaning down our throats.  The importance of family was implied, but they didn’t focus on it to an obnoxious degree.  Dwelling too much on a deeper theme can also plague holiday films and I was happy they avoided that pitfall here.  It’s not that kind of movie and they seemed to understand that.

In the end, FOUR CHRISTMASES is a cute romantic comedy sandwiched in a Christmas movie.  If you can relate to some of the situations Brad and Kate go through, you’ll probably get a kick out of some of the gags, especially in the beginning.  It will throw some cheap laughs at you, but manages to offer enough good tidings to make up for it.

Jeff Bridges, Maggie Gyllenhaal, and Robert Duvall in Crazy Heart Trailer

Tuesday, November 17th, 2009

Posted by: Brad Sturdivant

Jeff Bridges has been one of my favorite actors since BIG LEBOWSKI and it’s a shame he hasn’t received an Academy Award (he’s been nominated four times) yet.  Early buzz has him as a favorite for his work in the upcoming CRAZY HEART, but I can’t shake the feeling that the Academy won’t reward another down and out musician character.  I’m sure he’ll be fantastic in it, but the idea seems a little played out at this point.  Click the the link to get a preview of what’s going to be on your iPod in a month or so.

Watch the trailer here.

Crazy Heart